Review of Far Enough

Far Enough CoverThanks to Vivian Wagner and Easy Street: A Magazine of Books and Culture for this free-wheeling, thoughtful review of Far Enough! Here’s my favorite bit:

This book shows how a book can be woven out of shards that have been chiseled off the heartstone of the West and assembled in such a way as to make sense, to tell a story. It’s a postmodern western, but it’s a western nonetheless. While I read the book on a hot summer day, sitting in my hammock here in a village at the Appalachian edge of the Midwest, I started thinking of Mark Twain and Richard Brautigan, of Sherman Alexie and Louise Erdrich, of all those strong regional voices that capture the spirit of various frontiers. This is the spirit of Wilkins’s book. He brings to life through fragments a time and a place, a contemporary West in which mothers die not from bear attacks but from meth overdoses, a world in which the river runs dry every summer, possibly the action of an angry god, but more plausibly because of climate change. And it’s able to tell these stories through brief snippets, paragraphs, and one- to two-page pieces linked only by a shared vision of the world they create.

PRE-SALE! Far Enough: A Western in Fragments

Far Enough CoverPleased as can be to be working with the good folks at Black Lawrence Press again–on a novella in prose poems, Far Enough: A Western in Fragments! You can read all about it and order–at the sale price of $6.95!–below.

From the publisher:

Though Joe Wilkins’s new collection of short fiction set under the big Montana sky may have all the trappings of a traditional Western—long shots of sage flats and blue mountains, late nights at the dingy local watering hole, and a hard-working cowboy making time with the boss’s daughter—Far Enough is far from traditional. A series of short prose fragments told from several viewpoints, Far Enough follows Willie Benson, Wade Newman, and young Jackie Newman as they crisscross the high plains of eastern Montana, each searching for something to hold onto. Wilkins’s narratives—splintered, wending, intertwined—sprawl out beneath a huge, dazzling sky filled with “blue lightning run the wrong way, red eruptions and the slow fade to gold, a white ache along the horizon.” Poetic, darkly humorous, subversive—Far Enough is a Western for our time.

Advance Praise for
Far Enough
Equal parts rocketing narrative and arresting imagery, Far Enoughtrains a grave attention on the longings and flaws of ranch people, and the injustices they inflict and suffer. In these fiercely-charged “fragments,” Joe Wilkins distills small-town, Big-Sky culture into a brilliant, austere, yet addictive liquor.
—Anna Keesey, author of Little Century
Joe Wilkins’s portrait of the modern American West is told via one-page dramatic tableaux that read like those suddenly captured moments in poetry, in language as simple and unadorned in its beauty as the Montana prairie. These men and women are laconic and unassuming in their wants, fears, desires, and Wilkins reveals them to us wholly, unsparingly, vividly. The vision here is clear-eyed and humane. If Chekhov were born in Billings instead of Taganrog, he might very well have written about people like this, just as Wilkins has.
—Daniel Orozco, author of Orientation: And Other Stories
When I’m asked what an ideal story for our magazine would be, I think but don’t say: like a Joe Wilkins story. Far Enough is tight, chiseled and beautiful, full of language so physical it seems like landscape itself. You can feel the West in these words. But you can feel the people too, their stories equal to the place. I love Joe Wilkins’s stories. I always have.

Order Far Enough via Paypal at the BLP website

—David Gessner, Editor-in-Chief at Ecotone

Another Poem in The Southern Review

IMG_3700 IMG_3701Issue after issue, I just love The Southern Review. For my money, it might be the best read out there. And the new issue rocks: Kevin Prufer, Malachi Black, Susan Blackwell Ramsey, Stephen Dixon, Albert Goldbarth, Alison Townsend–just stellar stuff. So pleased one of my newest poems, “My Son Asks for the Story About When We Were Birds,” is among such fine company.

Another Essay in Orion

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Crazy late with this (I’m just catching up), but I have a short essay in the September/October 2014 issue of Orion. As with every issue of Orion, this one is required reading; I mean, new work by Terry Tempest Williams, Luis Alberto Urrea, Brian Doyle, and Kathleen Dean Moore, as well as reviews, poems, and so much more–if you aren’t subscribed to Orion, well, you’re missing out!