I’m terribly late with this, but I’ve got a new poem up at the always wonderful Linebreak.
Tag: Joe Wilkins
Another Review for Killing the Murnion Dogs
A great review in the Billings Gazette this week for Killing the Murnion Dogs!
Traveling
Had a wonderful time last week at the Montana Festival of the Book–where The Mountain and the Fathers sold out and was nominated for the Montana Book Award!–and this coming week I’m off to read at Augustana College, Elk River Books, and the High Plains Book Fest.
It’s Here!
Just got my copies of my second full-length collection of poems, Notes from the Journey Westward. You can order yours here: http://www.powells.com/biblio/62-9781935210368-0. And you can read the title poem, as well as “Hayrake,” another poem in the collection here: http://www.bpj.org/index/W.html#Wilkins Joe.
Best American Nonrequired Reading
Some unexpected good news: My story “Sam and Annie: A Kind of Love Story,” from the Winter 2011 issue of Indiana Review, earned a notable mention in Best American Nonrequired Reading 2012.
Review up at Brevity
A very fine review of The Mountain and the Fathers on the Brevity blog!
Interview and Excerpt from The Mountain and the Fathers
The inaugural issue of Squalorly features a wide-ranging interview with me, as well as an excerpt from The Mountain and the Fathers.
Another Review
Another fine review for Killing the Murnion Dogs in the venerable Pleiades Review of Books! Near the end of the review, essayist and poet Nick Ripatrazone writes:
“Spiritual” and “A Prayer” tread new ground in the book’s final pages, and these lines feel both appropriate to the book as a whole and the particular, engaging aesthetic cultivated throughout: “But even in this joy I know enough / of pain and shame to say that’s all wrong: No one / deserves this world.”
Review in Main Street Rag
I was very pleased to finally get a hold of Carrie Shipers’ lovely review of Killing the Murnion Dogs in volume 17 of Main Street Rag. It’s not available online, but here are a few lines:
Violence–even sometimes brutality–may be an integral part of the world Wilkins creates, but there is room for tenderness, too. In “A Prayer,” an expansive, Whitman-esque poem that closes the collection, the poet turns his unflinching eye on the people who populate his poems, men who “water the sodden garden of themselves / with liquor” and women “nailing / themselves to the rough-cut boards of their husbands.” While these portraits are not necessarily flattering, there is an undertone of admiration in every line: he celebrates these people because of what they’re willing to endure in the hostile Western environment, and the poem is all the more moving because he seemingly counts himself among the people he describes. “A Prayer,” like the other poems in Killing the Murnion Dogs, is ultimately a kind of love poem, albeit a complex and sometimes disturbing one.
New Poem at The Nashville Review
Along with great work by Traci Brimhall, Mike Meginnis, and others, my poem “A Story We Might Follow” is up in the summer issue of Nashville Review.
